1.Watch one of the cited German expressionist films. Write down the eye motifs you think film noir borrowed. Then watch a noir such(prenominal) as Double Indemnity , Laura , Out of the Past, or The Killers and pedigree the visual similarities. Be specific. Nosferatu: The vampires castle is in ruins. Shot at night, the candidate is filled with deep shadows. The coach approaches the castle at a fast pace, on a road surround by deep shadows in a desolate countryside. privileged the castle, the preteen real estate clerk is dwarfed by the gritty ceilings and commodious staircase, and trapped by the heavy doors. The ship is tossed by a storm of supernatural proportions. Only the rats survive the journey. The vampires stopping calculate scene finds him enclosed in a sm in all spend a penny on with deep shadows, eyepatch a shaft of calorie-free from the uncovered window destroys him. Double Indemnity: Walter Neff is dwarfed by the large, high-ticket(prenominal) hou se, especially when he stands at the bottom of the stairs. The streets of Los Angeles are dim and desolate. Neff sits at his desk and dictates his story, while a shaft of light comes in through the window. He is dying. 2.Optional: Watch Citizen Kane and write down all of the noirish techniques used, such as arty lighting, odd camera angles, deep-focus and the different characteristics we discussed.
Kanes estate, Xanadu, falls into ruins. Its monolithic architecture dwarfs the people who inhabit the film. inwardly Xanadu, rows of pillars recede into darkness. The located reporter tries to learn the story of Kanes life. At the beginning of his openha! nded life, Kane is shot from below, making him seem gigantic. Toward the end, however, he seems to become smaller because of the different camera angles. The femme fatale causes Kane to lose his married woman and child... If you want to get a full essay, order it on our website: BestEssayCheap.com
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